ian nisbet talent management


At INTM we believe that every body has the right to see themselves represented onstage and that's why we represent Naarm/Melbourne and Gadigal/Sydney-based performers and creatives from a wide variety of ages and backgrounds including BIPOC, CALD, trans, non-binary, and neurodiverse artists
​

Meet our talent:

​Naarm/Melbourne

Ahila Navaratnam
(she/her)
Alessia Muscariello
(she/her)
Alex Jackson
(he/him)
Alice Dalton
(she/her)
Amanda Stevenson
(she/her)
Anna Buenaseda 🇵🇭
(she/her)
Benjamin Noble-Saroto
(he/him)
Bridgette Kucher
(she/her)
Bridie Pamment 🏳️‍🌈
(she/her)
Brooke Humphreys
(she/her)
Christien Dariol
(he/him)
Conagh Punch 🏳️‍🌈
(he/him)
Daniel Cook
(he/him)
Daniel Kim
(he/him)
Danny Medica
(he/him)
Dean Robinson 🏳️‍🌈
(he/they)
Delaney McGill
(she/her)
Ebony Portelli
(she/her)
Eilannin Harris-Black
(she/her)
Emerson Hansford 🏳️‍🌈
(they/she)
Gabrielle Etlis
(she/her)
Georgie Potter
(she/her)
Guillaume Gentil
(he/him)
Hayden McElholum
(he/they)
Hayley Noy
(she/her)
Isabella Porter
(she/her)
Jade Bohni
(she/her)
Jay Haggett
(he/him)
Jen Bush
(she/her)
Jenna Featherstone
(she/her)
​Jessi Neilsen Carreño
(she/her)
Jess Ridler 🏳️‍🌈
(she/they)
Jon Harris-Black
(he/him)
Riley
(they/them)
Louie Dalzell
(he/him)
Maddi Hastings
(she/they)
Mareesa Ballao
(she/her)
Maverick De Leon
(he/him)
Meg Farrough
(Meg/they)
Michelle Cooper
(she/her)
Mitchell Williams
(he/him)
Nabs Adnan
(he/him)
Natalie Carden
(she/her)
Nathan Michael Wright
(he/him)
Rebecca Simpson
(she/her)
Ricki Howden
(he/him)
Ryan Etlis
(he/him)
Sarah Glynne
(she/her)
Shelley Szova
(she/her)
Stephanie Graham
(she/her)
Stacey-Louise Camilleri
(she/her)
Timothy Ian McMullin
(he/him)


​Gadigal/Sydney

Bronte May Horswood
(she/her)
Jessica Pietersen Scott
(she/they)
Tali Greenfield
(she/her)

Check out what our talent's been up to on our Instagram:

Widget by EmbedSocial→
​
​Ian Nisbet Talent Management supports the #YesOrNo campaign that encourages casting directors and producers to
"keep actors and their agents as informed as possible about their status within the casting process.”
​